Tag Archives: Elizabeth Leach

Tanner Dobson’s Whatever of 2011 List

Craig Wheat made this.

Where have I been? WHERE THE FUCK INDEED. Well, let’s see… the last post that I made was in June or some such shit. Since that time, I’ve been drinking my liver away at a writers residency in the Ozarks tailored towards cultural critics with a healthy fear of God and homosexuals. The organization that runs the residency got its initial funding through the William F. Buckley Foundation for Exceptionally Objective Journalism. It is a bit of a “need to know” situation, so I’m regretfully unable to communicate the name of the place to you laypeople.

One of the big things that we talked about at the residency was the absolute, unarguable importance of year-end best of lists by critics. All of the writers at the residency agreed wholeheartedly that the reading public is too retarded to figure out what stuff they liked over the course of a calendar year, and that it is our duty to make those decisions for them. You’ve no doubt been inundated with literally millions of top ten lists, best-of lists, and so forth in the last few days. But I’m going to go ahead and place a wager that all of them were wrong. Dead wrong.

So, without further ado, I bring you Tanner Dobson’s Official Whatever of Portland Art 2011 List.

BEST VENUE TO EYE RAPE JAILBAIT: Appendix Project Space - It’s weird that the galleries that are attended by all of the richest people in town are also always filled with the ugliest people in town at receptions. They say that money can’t buy you class, but apparently in the Pacific Northwest, it also can’t buy you a replacement face for that leather fucking scrotum that you wear over your skull. Instead of trying to pick up gravity-ravaged cougars from the Pearl District venues in 2011, I focused all of my energy on carving out fine, young trim up at Appendix Project Space in Northeast. Little did those boys know when they put up that wall of hay bales that I would be literally fist-deep in middle schoolers every Last Thursday for the past twelve months. Oh, they also did some good shows: Gary Robbins, Geoffrey Kix Miller, Andrew Norman Wilson, probably some others that I don’t remember also because my face was glued to a tween snatch.

PERFORMANCE ART I DUG THE MOSTEST: Michael Reinsch’s Gallery Walk for PICA’s T:BA Festival – Who the fuck is this guy anyways? My sources tell me that the motherfucker works at Target and has kids. All I know is that literally every time that he does something my khakis feel a bit restrictive as my swollen members thrashes about like a Tolkien-loving dragon in search of hobbit blood. Do not confuse yourself, dear reader – I am not saying that Michael Reinsch is a hobbit. In fact, he is taller than me. This screedler had several other notable appearances/shows this year (including the one with the blank sandwich board signs at some hippie gallery off of Alberta and the one where he ripped open presents and made Lisa Radon sad). But what set Gallery Walk apart in my opinion was the fact that he took a gnarly spill on the front steps of Washington High School on like the first night. While completely unintentional, it made all the more evident Reinsch’s ability to simultaneously amuse us and make us die a little bit inside. I’m being completely serious. Jeff Jahn is scared to write anything about Michael Reinsch because he is completely fucking confused by the fact that Renisch’s art is absolutely, positively fucking flawless.

GAYEST PLACE FOR AN ARTIST COMMUNITY: Milepost 5 – I don’t even know what to say about this shitshow. You’re NOT going to make 82nd Ave desirable, and I doubt the black people want your charity. “Hey, black people, we’re having an ice cream social to welcome ourselves into your neighborhood that the municipal government doesn’t give a shit about. Do any of you want to buy a condo?”

STUPIDEST PERSON AT THE OREGONIAN: DK Row - The fact that I have lived here for like five years and have literally never run into this guy has officially convinced me that he is being ghost-written by some jabrony from Coeur d’Alene, Idaho. There is like one picture of him online and it’s extremely pixelated. Motherfucker doesn’t even exist.

MOST CANCEROUS ART OF THE YEAR: Sean Healy - This show was at Elizabeth Leach or PDX or Blue Sky or something. Everything was made of cigarettes I think. Healy is a parent and should stop smoking before his kids start stealing Newports from the Plaid Pantry. On a side note: his work is kewl.

FOLKIEST FUCKING THING I HAVE EVER SEEN: The Contemporary Northwest Art Awards - NOT EVERYBODY IN THE NORTHWEST LIKES THOSE FUCKING DEBORAH BUTTERFIELD HORSES, GODDAMMIT. STOP MAKING US LOOK LIKE FUCKING GOMERS, YOU RETARDED FUCKFUCKERS.

BEST OPPORTUNITY TO WATCH PEOPLE WHO DON’T USUALLY WATCH ART TRY TO WATCH ART AND JUST GET DISAPPOINTED: Jesse Sugarmann’s Lido (The Pride is Back) - Standing around on the observation deck/beer garden outside of Washington High School at this year’s PICA Time-Based Arts Festival at one of Sugarmann’s van-lifting performances, I was tickled fucking pink to hear all of the oglers around me talking about how they generally don’t go to art events, but that smashing four vans was just something they could not miss! They got all giggly as the hindquarters of each van was lifted by air mattresses being inflated, anticipating certain destruction and NASCAR-worthy thrills. As one of the vans began to wobble atop the mattresses, a collective gasp ripped through the crowd, their frontal lobes dripping with anticipation. Then nothing happened, which is exactly what was supposed to happen. And they were all like, “Fucking art, man! What’s its deal?”

GALLERY THAT I STILL HAVE NEVER BEEN TO ONCE: Butters Gallery - What the fuck is Butters Gallery?

MOST AWKWARD GROUP OF YOUNG ARTISTS: Recess Collective - These kids are pretty good human beings and have great vision, but they fucking suck at talking to other people. Gawd, they are so weird. I think they all go to Reed or Lewis & Clark or something. I like their programming, but it’d be cool if they would stop staring at the floor and mumbling shit while tugging at the bottom of their denim jackets.

ABSOLUTE, MOST FANTASTIC HIGHLIGHT OF 2011: No Portland Biennial! - I thoroughly enjoyed not having to go to North Portland even once this last year. Fecking seck.

So, there you have. Suck my dick if you disagree, you fucking communist.

First Thursday Line-Up Officially Ends Summer Fun

I fucking hate this city.

The window to feast your eyes on the flesh of Portland’s artistic youth of 2010 is getting narrower by the day.  Monday’s weather piss-fest was a small appe-teaser (and warning) for the coming months of rain for dinner in your fucking face.  Soon enough, the pale, hair-crusted thighs of men in short pants and the prematurely saggy tits of young females believing bras to be a symbol of the Great White Oppressor will disappear for a good seven months.  And if that little rain storm earlier this week didn’t convince you that the care-free, whimsical days that are a summer in Portland are drawing to a close, the wheelbarrow overflowing with quesadilla-shaped man dicks of “art exhibitions” no doubt will.  It’s gonna rip boogers through your butt when you taste this fucking cream spread.

Where do I even begin?  It’s like every August, all of the “gallerists” in Portland meet up for whiskeys with soy milk backs at the Bye and Bye and remind each other that to prepare for another shitty winter, they’d better harden us up with some shitty art in September.  Tanner Dobson needs no assistance in “hardening up,” bitches.  I was born hard, making Belissa Dobson’s 62 hours of labor end in a bizarre, ironic twist of fate when the baby inside her came flying out at full attention; a raging boner that shattered the sound barrier and put my own father Theodore to shame.  It’s ironic because a penis went into her to make the baby, and then when the baby came out it also had a penis.  So, it was like the boner from my dad stayed in her and then it came back out and – fuck it, I’m drunk.

Damien's new work is a total departure.

I’d suggest starting your  night out by visiting Damien Gilley’s new exhibition called “More Trapper-Keeper Graphics that I Ripped the Fuck Off” at the Manuel Izquierdo Gallery at PNCA (see above).  A lot of people have been talking about Damien Gilley lately.  That is all.

And in the Commons at the very same college, relevance is once again being raped in the butt and face by an abstract painting show curated by Mack McFarland and Kelly “R. Kelly” Rauer.  Apparently Derek Franklin left some work at the college before he moved to New Jersey for graduate school and they just went for it.  Serverus Snape from Harry Potter, I mean Timothy Scott Dalbow, also has some work in the show but I don’t know which one was his because THEY ARE ALL FUCKING ABSTRACT PAINTINGS THAT LOOK THE EXACT SAME.

It’s my understanding that Alex Felton and some other guy threw bleach on black fabric or something.  This is what punk rock looks like now:

I could make that. I'm serious.

Cruise around the rest of the Pearl Necklace District and you’ll find several other visual offenses.  Down at Liz Leach, it looks like a show curated by a boy with Autism has been hung, but it’s actually just a bunch of photos of trains by Justine Kurland.  Kurland is traditionally known for shooting images of child pornography on top of big rocks that look like they’re from the final beach scene in Goonies.  They’re about innocence or rocks or something.  Why she shot pictures of trains this time around is beyond me.  These ones are probably about technology or the West.  Or maybe progress.  Or loss.

Have you ever heard of Adam Sorensen?  Me neither.  But apparently PDX Contemporary has because they’ve mounted a solo exhibition by him.  I’m not exactly sure what the medium is, but I’m gonna take a guess and say that they are screen grabs from the iTunes visualizer function while Led Zeppelin II was playing.  Take a look below and judge for yourself:

I remember Mordor being blacker.

Here’s a recommendation from PORT about the show at Froelick Gallery:

Froelick presents “Five from Brooklyn,” a presentation of work by five young Brooklyn-based artists, organized by Nat Meade. Featured artists: Clare Grill, Nat Meade, Ryan Mrozowski, Michael Schall, and Mike Womack. Come see what Portland’s hip sister-borough is up to.

No.